Tag: Audience Building

  • Great Early Film Promotion: Our 5-Step Playbook

    Great Early Film Promotion: Our 5-Step Playbook

    Film promotion strategy should be one of the first things you spend time on after conceptualizing your idea. If you wait for picture lock to start marketing, you’re already behind. Independent films don’t get a magic publicity push on release day; they earn attention slowly, from the moment an idea leaves your notes app. Start

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  • Streaming Killed the Distribution Pipeline, Now It’s Time to Rebuild

    Streaming Killed the Distribution Pipeline, Now It’s Time to Rebuild

    The internet broke the monopoly. For over a century, film distribution followed the same narrow funnel: make the movie, pray it gets into a top-tier festival, hope for a distribution deal, and if the gods smile on you, maybe your film ends up in theaters or on cable. It was a pipeline built on gatekeeping,

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  • Your Crowdfunding Campaign Won’t Work Unless You Show Your Face

    Your Crowdfunding Campaign Won’t Work Unless You Show Your Face

    Here’s a hard truth filmmakers don’t hear enough: people don’t fund projects. They fund people. Your logline might be clever. Your poster might be beautiful. Your teaser might be cut like a trailer for an A24 release. But none of that matters if the audience doesn’t feel connected to you. Table of Contents The Myth

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  • Ditch Netflix: Why Indie Filmmakers Are Embracing Direct-to-Fan Sales

    Ditch Netflix: Why Indie Filmmakers Are Embracing Direct-to-Fan Sales

    For years, Netflix was the golden ticket: land a deal and you reach millions. But many indie filmmakers are walking away, choosing to sell directly to fans on platforms like Vimeo On Demand, Kickstarter, or niche streaming apps. Direct-to-fan strategies are gaining ground. Table of Contents 1. Creative Control and Ownership 2. Revenue Share That

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  • If Sundance Is Your Only Plan, You Don’t Have a Plan

    If Sundance Is Your Only Plan, You Don’t Have a Plan

    Let’s rip the Band-Aid off: if your entire distribution plan revolves around getting into Sundance, you don’t have a strategy. You have a fantasy. Look, we get it. The idea of your film premiering in Park City (ahem…Boulder…), packed into a sold-out theater full of buyers, agents, and Variety journalists is intoxicating. A standing ovation.

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  • Want to Sell Your Film to Streaming Platforms? Prove You’ve Got an Audience

    Want to Sell Your Film to Streaming Platforms? Prove You’ve Got an Audience

    If you want to sell your film to a streaming platform, there’s one thing you need more than anything else: an audience. Forget the pretty cinematography, forget the big-name cast, and forget the awards. Streaming platforms don’t care about those things unless they come with the all-important audience. But here’s the kicker: most filmmakers are

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  • How to Use YouTube to Create Buzz Before Your Film Premieres

    How to Use YouTube to Create Buzz Before Your Film Premieres

    Most filmmakers use YouTube wrong. They drop a trailer, maybe a behind-the-scenes video, and then disappear for months. But YouTube isn’t just a place to host video content, it’s a full-fledged platform for community building, narrative teasing, and audience activation. Done right, YouTube can create buzz before your film hits festivals, lands distribution, or premieres

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  • Tools That Help Filmmakers Grow and Measure Real Fans (Not Just Views)

    Tools That Help Filmmakers Grow and Measure Real Fans (Not Just Views)

    The earlier you start building your audience, the more leverage you gain. A filmmaker with a loyal email list, a teaser trailer with organic comments, or even a handful of Reddit fans is no longer pitching an idea. They’re pitching an ecosystem. Whether you’re crowdfunding, approaching investors, or seeking brand sponsors, pre-release audience data is

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  • Your Audience Is Your Most Valuable Asset (Not Your Film)

    Your Audience Is Your Most Valuable Asset (Not Your Film)

    Filmmakers tend to focus their pitch around story, themes, and artistic merit. But investors? They’re thinking about markets, margins, and eyeballs. No matter how powerful your script or how impressive your cast, if you can’t clearly articulate who your audience is (and how you’ll reach them) your film will look like a risky bet. Put

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  • What to Post on TikTok to Promote Your Film (Day-by-Day Plan)

    What to Post on TikTok to Promote Your Film (Day-by-Day Plan)

    Most indie filmmakers think about marketing in terms of festivals, trailers, and press kits. TikTok? It’s often an afterthought. But for indie films, TikTok isn’t just social media, it’s a distribution tool, a discovery engine, and the best shot you have at reaching a new audience organically. But like filmmaking, success on TikTok isn’t about

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  • The Filmmaker’s Guide to Social Media Marketing on TikTok and Instagram

    The Filmmaker’s Guide to Social Media Marketing on TikTok and Instagram

    For indie filmmakers, TikTok and Instagram aren’t just places to post trailers or behind-the-scenes selfies. They’re attention economies. And they reward creativity, consistency, and storytelling. The same skills you use in your film. TikTok’s algorithm is notoriously generous to new creators. You don’t need followers to go viral. You need content that hooks in the

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  • The Anatomy of a Viral Indie Film Post on TikTok

    The Anatomy of a Viral Indie Film Post on TikTok

    When an indie film goes viral on TikTok, it usually isn’t because of A-list actors, big-budget effects, or flashy trailers. It’s because the filmmaker or marketing team found a way to distill the emotional core, unique premise, or raw authenticity of the project into a 15–60 second format that hits viewers right in the gut—or

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  • AVOD Success Is All About the Long Tail

    AVOD Success Is All About the Long Tail

    There’s a myth in indie film that everything rides on the premiere. That if your launch doesn’t explode with views, headlines, and social buzz, you’ve already lost. That logic might apply to theatrical releases or opening-weekend box office. But in the time of the rise of AVOD (ad-supported video on demand) it couldn’t be more

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