Tag: Film Marketing
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Great Early Film Promotion: Our 5-Step Playbook
Film promotion strategy should be one of the first things you spend time on after conceptualizing your idea. If you wait for picture lock to start marketing, you’re already behind. Independent films don’t get a magic publicity push on release day; they earn attention slowly, from the moment an idea leaves your notes app. Start
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6 Reasons ‘Making-Of’ Documentaries Are Becoming More Valuable to Buyers
“Making-of” documentaries, also known as BTS (behind-the-scenes) or EPKs, have evolved from DVD extras into valuable marketing tools across festivals, streaming platforms, and brand projects. Here’s why buyers are increasingly investing in them. Table of Contents 1. Authenticity Builds Trust and Emotional Connection 2. Marketing Gold in the Digital Age 3. Premium Feature for Buyers
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Streaming Killed the Distribution Pipeline, Now It’s Time to Rebuild
The internet broke the monopoly. For over a century, film distribution followed the same narrow funnel: make the movie, pray it gets into a top-tier festival, hope for a distribution deal, and if the gods smile on you, maybe your film ends up in theaters or on cable. It was a pipeline built on gatekeeping,
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Your Crowdfunding Campaign Won’t Work Unless You Show Your Face
Here’s a hard truth filmmakers don’t hear enough: people don’t fund projects. They fund people. Your logline might be clever. Your poster might be beautiful. Your teaser might be cut like a trailer for an A24 release. But none of that matters if the audience doesn’t feel connected to you. Table of Contents The Myth
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How to Write a Film Press Kit That Really Gets You Media Coverage
A strong press kit, also known as an EPK (Electronic Press Kit), more strategic than a folder of random assets. It’s a curated tool that tells your film’s story before a journalist, programmer, or buyer even watches a single frame. It should communicate professionalism, elevate your pitch, and make media coverage effortless. Let’s walk through
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Ditch Netflix: Why Indie Filmmakers Are Embracing Direct-to-Fan Sales
For years, Netflix was the golden ticket: land a deal and you reach millions. But many indie filmmakers are walking away, choosing to sell directly to fans on platforms like Vimeo On Demand, Kickstarter, or niche streaming apps. Direct-to-fan strategies are gaining ground. Table of Contents 1. Creative Control and Ownership 2. Revenue Share That
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The Power of Micro-Influencers in Film Promotion (And How to Work With Them)
In the indie film world, trust and authenticity go beyond being nice extras: they’re everything. That’s why filmmakers are increasingly tuning to micro-influencers, those social creators with 10K to 100K niche followers, over mega-stars. These smaller voices carry trust; their fans listen like a friend, not an advertisement. When a horror micro-influencer posts a “If
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How to Build a Fanbase Before You Even Make a Film
Why wait until your film is done to build an audience? Smart indie filmmakers know that the people who will eventually stream, rent, or pay for your movie need to discover you and your story long before it hits the editing suite. Pre-production is prime real estate for fan-building and adds to the value of
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What the Planned TikTok App Rebuild Means for Creators and the Film Industry
TikTok is gearing up to rebuild itself from the ground up, at least for the United States. According to a report from The Information, the wildly popular short-form video app is working on a separate version of the platform specifically for U.S. users, a move that precedes a forced sale to American investors or, alternatively,
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The Disconnect Between Praise and Profit in Indie Film
Every year, a handful of indie films sweep festival awards, earn glowing reviews, and land on critics’ top ten lists Only to vanish quietly at the box office or lose money on digital platforms. It’s a frustrating paradox: critical acclaim that doesn’t convert into financial return. The truth is that artistry and profitability don’t always
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What Filmmakers Need to Know About Automotive Brand Deals
Automotive companies are always in search of new ways to stay visible, aspirational, and culturally relevant. While big-budget action films and TV series have long been the domain of brands like Audi, BMW, and Dodge, there’s a quieter strategy happening behind the scenes, partnering with indie filmmakers to get vehicles into story-driven, lower-cost productions. The
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Sponsored Web Series Are the Future of Brand-Backed Filmmaking
For decades, brands were relegated to the sidelines of film and TV—footnotes in product placement deals or sponsors of commercial breaks. But today, many are skipping the middleman entirely. From fashion labels to beverage companies, brands are now funding and producing their own content in the form of sponsored web series. These aren’t just glorified
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Why Your Forgotten Indie Film Might Still Make Money
Most indie films get a brief moment in the sun, maybe a small theatrical run, a festival circuit, or a modest DVD release. Then they quietly fade into obscurity. But streaming platforms have rewritten that script. With the right tweaks, older indie films can find new audiences, generate fresh revenue, and build the filmmaker’s brand
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What Sets Apart the 1 in 10 First-Time Filmmakers Who Land Domestic Distribution?
Most first-time filmmakers never land domestic distribution. The odds are bleak: only about one in ten break through. But if you analyze the ones who do, a clear pattern emerges. It’s not random. It’s not luck. It’s about perception. About presentation. About how the film looks before anyone even hits play. You want to know
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What Do Filmmakers Misunderstand Most About Distribution?
Distribution isn’t the reward at the end of the journey. It’s not the final handshake. It’s not the bow on top of your finished film. Distribution is the strategy. It’s the engine. It’s the difference between your film being watched by two hundred people and being watched by two hundred thousand. And yet, most filmmakers
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The #1 Reason Your IndieGoGo Isn’t Getting Funded
If your crowdfunding campaign reads like a college essay, you’ve already lost. Your backers are not grading you. They’re not your professor. They’re not looking for structure, citations, or formal tone. They’re looking to feel something. Most indie filmmakers approach their campaign pages with the mindset of a grant application. They over-explain. They under-inspire. They
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Want to Make Money Off Your Indie Film? Stop Obsessing Over Theaters
Most indie filmmakers treat the box office like it’s the final boss. But here’s the truth: it’s barely the tutorial level. Theaters are nice for prestige. They’re great for premieres, red carpets, Instagram posts, and a handful of press quotes. But financially? They are not your finish line. For most independent films, they’re a vanity
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Your Indie Film Just Hit Tubi. Now What?
So your film just got picked up for AVOD. First of all, congrats. You’re officially in front of a real audience. Not just a theater of friends and family, not just a festival screening with a Q&A, but actual eyeballs. Now here comes the part that matters more than the pickup itself: How are you
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You Can’t Upload to Amazon Anymore, But You’re Not Out of Options
If you were hoping to release your indie film directly to Amazon Prime Video, it may already be too late. Amazon Prime Direct, once a wide-open platform for filmmakers to upload their work without a middleman, has quietly finished phasing out open submissions from independent creators. No fanfare. No press release. No dramatic public takedown.
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Your Film Isn’t Too Niche. It’s Exactly What Streamers Want.
The idea that your story needs to be “universal” to succeed is outdated, false, and frankly, dangerous. For years, filmmakers from marginalized communities were told to smooth the edges of their culture. To make their characters “more relatable.” To replace specificity with sameness. All in the name of “marketability.” But in 2023, the numbers told
