Tag: Film Monetization
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AVOD vs. SVOD: Most Filmmakers Are Choosing Wrong
When filmmakers talk distribution, they talk like it’s a badge of honor. I’m so sick of the not-so-humble brags: “We’re on Netflix.” “We licensed to Hulu.” “We landed with a premium SVOD partner.” And yes, that can sound great on a press release. It’s the streaming version of being picked first. Congrats. Everyone else is
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A Survival Guide for When Your Film Doesn’t Sell
Every year, thousands of independent films are completed, and most will never land a traditional distribution deal. Not because they’re bad. Sometimes they’re too niche. Sometimes they’re poorly timed. Sometimes they simply fall through the cracks of an overcrowded, trend-driven industry. If you’ve made a film and it’s not getting attention from buyers, it’s easy
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Here’s What Filmmakers Need for their Post-Festival Plan
You’ve made it. Your film just had its world premiere. Maybe at a prestigious festival. Maybe at a regional one that truly loved your work. You walked the carpet, took the Q&A mic, shook hands with buyers, and finally exhaled. Now what? If your answer is “wait and see,” you’re already behind. Because the truth
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AVOD, SVOD, or TVOD? How to Pick the Right Release Strategy for Your Indie Film
It’s the question every indie filmmaker eventually has to face: where should your film live? Should you put it on a paid platform and aim for prestige? Drop it on an ad-supported streamer and reach the masses? Sell it directly to fans? AVOD. SVOD. TVOD. Three distribution models. Three radically different outcomes. And no, there’s
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Why Smart Investors Avoid All-Rights Film Deals with Streamers
For many filmmakers and investors, landing a deal with a major streaming platform like Netflix, Amazon, or Hulu feels like the finish line. It’s the industry gold star, the validation stamp, the moment when years of risk and hustle seem to finally pay off. But there’s a growing catch, and it’s not just about control.
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How a $125K Indie Horror Film Made $1M Without Festivals or Stars
This is not a Cinderella story. It’s not a “right place, right time” fluke. It’s not about an indie filmmaker charming their way into Sundance and getting swept up by an A24 deal. This is a story about distribution done right—and the numbers don’t lie. Last year, the most-watched independent film on Tubi wasn’t a
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What I Wish I Knew Before Releasing My Indie Film
Distribution is where most indie filmmakers go to die—or at least to disappear quietly. After the blood, sweat, and credit card debt of production, it’s easy to think your job is done. But distribution is not dessert. It’s not a celebration. It’s the war after the war, and most of us walk into it completely
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The Global Revenue Stream Filmmakers Always Forget
You finished your film. You hit the festival circuit. You pitched to streamers. Maybe you got an AVOD deal. Maybe you’re grinding through self-distribution. But there’s a good chance you’re missing one of the easiest, most overlooked revenue streams in the industry: Foreign educational licensing. Yes—classrooms. Lecture halls. Academic libraries. Especially if your film tackles
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Want Your Indie Film to Make Money This Year? Choose One of These Three Genres
Let’s talk genre. Not as an artistic decision. Not as a festival strategy. But as financial leverage. Because if your film is headed for AVOD (ad-supported video-on-demand), one truth stands above the rest: The three genres most likely to break even in under a year are: Horror, Thriller, and Documentary. This isn’t a guess. It’s
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How Film Investors Make Money from Streaming Revenue Models
The way films generate revenue has evolved dramatically over the past decade, with streaming platforms becoming the dominant force in film distribution. For investors looking to fund independent films or production companies, understanding the different streaming revenue models, AVOD (Advertising-Based Video on Demand), SVOD (Subscription-Based Video on Demand), and TVOD (Transactional Video on Demand), is
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How to Invest in Indie Films That Will Make Money for a Decade
While many films experience a short burst of success before fading into obscurity, some indie films continue generating revenue for years after their initial release. For investors, distributors, and streaming platforms, acquiring films with long-term profitability is a strategic way to build sustainable revenue streams. Unlike blockbuster films that rely on massive opening weekends, indie
